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Michael Grace-Martin

~ Photography, Art & Life

Michael Grace-Martin

Category Archives: Commentary

New Features of the Canon 5D Mark III

01 Sunday Jul 2012

Posted by mgm in All, Commentary, Reviews

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5d, canon, features, mark iii, new

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When a fellow photographer showed me the silent/stealth shutter feature of the Canon 5D Mark III, I decided I needed it because I photograph events that require me to be *very* quiet when I’m taking the photos.

Since purchasing the camera, I’ve discovered additional useful features that I’ll mention here:

1) Dual memory card recording. Like the Canon 1D Mark IV I had previously, this camera has slots for both CF and SD memory cards. You have the option of recording to the cards in parallel (giving yourself an automatic backup card in case one card becomes corrupted) or serially (first one, then the other…giving yourself lots of storage.)

2) Locking mode dial. Unlike the 5D and the 5D Mark II (unless you paid an additional $100 for the latter), you have to push a button in order to change the mode dial. I can’t tell you how many times I’ve accidentally bumped the mode dial on the 5D and 5D Mark II, suddenly finding myself in a totally different mode (e.g., aperture priority, shutter priority, manual, etc) than I expected!

3) Extended Auto ISO up to 12,800 ISO. The 5D Mark II only went up to 3200 in Auto.

4) Auto ISO exposure in Manual mode. My 1D Mark IV had this feature too; though the 5D Mark III improves on it (I’ll explain). There are cases when I want to set the aperture and shutter speeds to particular values and let the ISO fluctuate to find the optimal exposure. The 1D Mark IV had this feature, and the 5D Mark III has it too. However, in addition, the 5D Mark III lets you lock in exposure with the “*” button and then recompose and take a photo at that setting. The 1D Mark IV wouldn’t allow you to use the “*” button (when in manual mode + Auto ISO) to lock in the exposure/ISO. The 5D Mark III does, and it can be *very* useful.

5) Finally increased the number of AF points. With the 5D Mark III, Canon finally increased the number of auto-focus points from the antiquated 9-points of the 5D and 5D Mark II, to an incredible 61 points.

 

 



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Making Photography and Photo Collecting Pay Off

18 Monday Jun 2012

Posted by mgm in All, Commentary

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collecting, investment, photography, value

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You can buy a photographic print because: a) you like the photo and want to display it for your enjoyment, or b) because it is–or will be–worth more than you paid for it (i.e., as an investment). Of course, it’s possible you find a photo print that fits both these qualifications.

As a photographer, I’m realizing that even though having customers who buy your work for reason #a is quite nice, it’s really enabling #b to occur that’s ultimately going to pay off most for me and my customers.

And how do you get that to happen? That’s the trick, isn’t it…

>Two clues: 1) the “original” is not a digital image file, 2) the only remaining manifestations of the photo (even if it started as a digital image) are physical.

Note: I think offering limited edition prints of digital image files that will continue to exist may not be strong enough to establish “scarcity” for some photography investors.



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Candid Photography with a Camera-Shy Crowd

13 Wednesday Jun 2012

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camera-shy, candid, crowd, how, photography

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Crowd Candid @ 110mm

Sometimes when I’m doing candid event photography, I find the crowd is particularly sensitive to my presence, and its members tend to turn away or get a stoney expression on their faces whenever I get near.

Of course I’m trying to get photos of people smiling and actively interacting with each other! So, this leeriness and reticence can be a real problem. So what do you do?

Crowd Candid @ 110mm

At this particular event, I got out my small micro 4/3 digital camera with a manual focus 55mm lens (110mm equivalent on a micro 4/3 sensor) and started furtively taking photos from 15-25 feet away from each subject.

It was a crowd of 400 people or so and they were pretty spread out under and near a large banquet tent. There was a lot of room to cover compared to a cramped indoor venue.

110mm turned out to give me a close to ideal focal distance. Of course, it also helps to sort of hide in shadows and to shoot from outside the tent to inside (the sides were open) and vice versa. The 110mm lens simply made being “hidden” much easier to do.

Crowd Candid @ 110mm

Now, I was also carrying around a relatively large Canon 5D Mark III with a wide angle zoom lens. I had to get in pretty close to use this due to the wide angle…and since people were relatively spread out, it was easy to see me coming and turn away!

It’s good to have a relatively wide angle lens and a professional flash on your camera for when groups of people walk up to you and ask, “can you take a picture of us?”. (I’ve been caught with a 70-200mm zoom on my camera and had to tell them to wait while I changed lenses; I dislike being and looking unprepared for those situations.)

It *is* possible to still get candids with such a setup, however. The key is to keep the camera down and not telegraph where you’re looking. Then when you’re within range of the target, bam!..quickly bring the camera up and snap off a shot.

Candid @ 18mm

The key with both cameras & lenses is *being sneaky*…and the actual equipment that will allow you to be “sneaky” will vary with the crowd, the venue, the stage of the event (e.g., have they drunk enough alcohol yet so they don’t even care about the photographer’s presence), and other factors.

If you encounter a camera-shy crowd, instead of getting frustrated, take it as an interesting challenge that you can have fun with…:-).



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A Photography “Groove”

06 Wednesday Jun 2012

Posted by mgm in All, Commentary

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groove, perception, photography, series

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Finding a photography “groove” (e.g., when taking a series of photos) is much like finding a musical groove. There’s an elevated experience of perception when you’re in it…and you can tell you’re seeing possibilities you wouldn’t normally see.



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No Reason to Limit Photography to “The Pretty”

30 Wednesday May 2012

Posted by mgm in All, Commentary

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interesting, photography, pretty

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This may just be my personality, but taking only “pretty” or “beautiful” photos all the time would bore me to death. Photography–like other visual arts–isn’t just about pretty pictures. Photographs should at least be as interesting as life, and life is much more than dreamy sunsets and flowers.

 



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The “Sport” of Travel Photography

17 Thursday May 2012

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photography, sports, travel

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I have discovered that taking photos when I travel has become, for me, like a “sport”. It enhances (makes more interesting and fun) my experience of traveling.



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Photography, Art, and Fabrications

09 Wednesday May 2012

Posted by mgm in All, Commentary

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art, fabrications, photography

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Here is a quote from photographer Duane Michals in a book titled “Fabrications: Staged, Altered, and Appropriated Photographs” by Anne Hoy:

Photography by most photographers is an act of recognition, not invention. This distinguishes it from major art. All good artists invent their own worlds…As a photographer, you can be defined by the medium, or redefine the medium in terms of your own needs. I’m dong the second.

What do you think of what he’s saying here? (leave comment)



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The Experience of Art versus Owning It

26 Thursday Apr 2012

Posted by mgm in All, Commentary

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art, collecting, experience

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Is it art that people want or just the experience of art? I think it’s the latter, and it may be one of the reasons for the apparent decline of art collecting.

Is the Internet providing a dynamic, changing “experience” of art and making static paintings or photographs hanging on your wall obsolete in comparison?

Isn’t humanity turning away from static physical objects in general..?

Why wouldn’t art go “paperless” just like everything else…



Visit Michael's Art Photography Portfolio at SaatchiArt.com!

Aside

Nothing in this world can take the place of persistence…

24 Tuesday Apr 2012

Posted by mgm in All, Commentary

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persistence, success, talent

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“Nothing in this world can take the place of persistence. Talent will not; nothing is more common than unsuccessful people with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts. Persistence and determination alone are omnipotent. The slogan ‘press on’ has solved and always will solve the problems of the human race.” – Calvin Coolidge



Visit Michael's Art Photography Portfolio at SaatchiArt.com!

Photography May be “Cheapened”, but Not the Photograph

15 Sunday Apr 2012

Posted by mgm in All, Commentary

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demand, photography, price, services, supply

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With the ubiquitous presence of digital cameras and people posting photographs taken with these cameras,  the overall value of photography is diminished according to the economic law of supply and demand…unless demand is keeping up with supply; is it?

It seems true that the general price for the rights to use a stock image has certainly gone down; this has been the topic of many discussions regarding stock photo sales. Also, I think it has become more difficult to sell photographic prints for reasonable prices, unless the photographic print is of some historical or collector value, in which case prices for prints have been skyrocketing in auctions!

In parallel with this increase in the supply of photographic images, there has been an increase in interest in photography in general. I don’t have any hard numbers to reference here, but my impression is that the low price and skill barrier to doing digital photography has gotten more and more people interested in photography.

This increased interest has heightened demand for books about photography, photography workshops, and historically significant photographic prints. So, there is still money being made in photography, but it’s sources are shifting away from the selling of stock photos, new original prints, and the provision of photographic services (e.g,. wedding and portrait photography) to the education and inspiration of new and upcoming photographers.

Of course, how long are people going to keep going into photography as a “career” if it becomes ridiculously difficult to make a living at it? At some point–according to economic theory–supply will likely peak and begin to descend.

My “take” on all of this (unless you’ve established yourself as the “top banana” in your market) is that providing photographic services has become a poorly paying occupation due to oversupply (i.e., so many people purchasing a digital camera, filling in one of those photographer’s website templates with their greatest hits, and undercutting the next guy’s prices). And trying to sell prints or stock photos of flowers, birds, landscapes, etc–like the thousands of others being put out there by thousands of photographers–is like running a lemonade stand at the end of your driveway: sure you may make a few dollars, but it ain’t gonna pay your mortgage, food & clothing bills, and so forth.

Inevitably, I think it all comes back to the originality of the image. Photography is a means for creating a unique and interesting image. There are other ways of creating 2-D images (e.g., drawing, painting). Photography is just another way.

Pretty landscapes, flora and fauna macros, sunsets, and so on have become a dime a dozen. If you go to a place like Target, you can buy a framed picture of any of these–made in China, no doubt–for a few bucks. If this is the type of imagery you’re interested in creating, pursuing photography as anything other than a hobby is financial suicide.

In the end, it comes down to artistic originality. Creating images that have not been created before is what makes an artist stand out and gives them the ability to charge generous prices for their work.

It doesn’t matter so much that the artwork was made with a camera–ultimately the means of an artwork’s creation is of secondary importance. It’s what was made and whether it’s interesting and unique among the hundreds of thousands of other images out there in the world and on the Internet.



Visit Michael's Art Photography Portfolio at SaatchiArt.com!

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